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Chord Weaving facilitates chord switching by exploring all possible combination of chords.
This exercise assumes knowledge of chord forms in all keys. If those are not ready, refer to the “Learning Chords” section of the method.
First, play through the major chords in the order of the circle of fifths.
C G D A E B F# C# Ab Eb Bb F
Then begin “weaving” in the C chord.
Alternate the C chord with the circle chords sequentially, repeating each four times.
(CCCCCCCC) |
CGCGCGCG |
CDCDCDCD |
CACACACA |
CECECECE |
CBCBCBCB |
CF#CF#CF#CF# |
CC#CC#CC#CC# |
CAbCAbCAbCAb |
CEbCEbCEbCEb |
CBbCBbCBbCBb |
CFCFCFCF |
When the circle is complete, reverse the order and repeat.
C F Bb Eb Ab C# F# B E A D G C
This pattern is the circle of fourths. The circles of fifths and fourths ingrain many of the common chord changes found in Western music.
Then, weave the G chord (the next chord in the circle) with all the other chords in order, beginning with C and working around the circle.
GCGCGCGC |
(GGGGGGGG) |
GDGDGDGD |
GAGAGAGA |
GEGEGEGE |
GBGBGBGB |
GF#GF#GF#GF# |
GC#GC#GC#GC# |
GAbGAbGAbGAb |
GEbGEbGEbGEb |
GBbGBbGBbGBb |
GFGFGFGF |
Then, weave the D chord (the next chord in the circle) with all the other chords in order, beginning with C and working around the circle.
DCDCDCDC |
DGDGDGDG |
(DDDDDDDD) |
DADADADA |
DEDEDEDE |
DBDBDBDB |
DF#DF#DF#DF# |
GC#GC#GC#GC# |
DAbDAbDAbDAb |
DEbDEbDEbDEb |
DBbDBbDBbDBb |
DFDFDFDF |
Continue this pattern substituting chords from the circle of fifths in order.
(Repeats have been omitted to save space, but still do them.)
ACAG |
ADAA |
AEAB |
AF#AC# |
AAbAEb |
ABbAF |
ECEG |
EDEA |
EEEB |
EF#EC# |
EAbEEb |
EBbEF |
BCBG |
BDBA |
BEBB |
BF#BC# |
BAbBEb |
BBbBF |
F#CF#G |
F#DF#A |
F#EF#B |
F#F#F#C# |
F#AbF#Eb |
F#BbF#F |
C#CC#G |
C#DC#A |
C#EC#B |
C#F#C#C# |
C#AbC#Eb |
C#BbC#F |
AbCAbG |
AbDAbA |
AbEAbB |
AbF#AbC# |
AbAbAbEb |
AbBbAbF |
EbCEbG |
EbDEbA |
EbEEbB |
EbF#EbC# |
EbAbEbEb |
EbBbEbF |
BbCBbG |
BbDBbA |
BbEBbB |
BbF#BbC# |
BbAbBbEb |
BbBbBbF |
FCFG |
FDFA |
FEFB |
FF#FC# |
FAbFEb |
FBbFF |
Use a metronome and only proceed as fast as clean chord changes allow.
All patterns are in the support file, “Chord Weaving.xlsx” on http://patternobsession.richardrepp.com
Repeat the same pattern with minor chords weaved unto with the circle of fifths.
Begin with A minor weaved in.
AmCAmG
AmDAmA AmEAmB AmF#AmC# AmAbAmEb AmBbAmF
Then continue weaving in chords in this order.
Am |
Em |
Bm |
F#m |
C#m |
Abm |
Ebm |
Bbm |
Fm |
Cm |
Gm |
Dm |
AmCAmG |
AmDAmA |
AmEAmB |
AmF#AmC# |
AmAbAmEb |
AmBbAmF |
EmCEmG |
EmDEmA |
EmEEmB |
EmF#EmC# |
EmAbEmEb |
EmBbEmF |
BmCBmG |
BmDBmA |
BmEBmB |
BmF#BmC# |
BmAbBmEb |
BmBbBmF |
F#mCF#mG |
F#mDF#mA |
F#mEF#mB |
F#mF#F#mC# |
F#mAbF#mEb |
F#mBbF#mF |
C#mCC#mG |
C#mDC#mA |
C#mEC#mB |
C#mF#C#mC# |
C#mAbC#mEb |
C#mBbC#mF |
AbmCAbmG |
AbmDAbmA |
AbmEAbmB |
AbmF#AbmC# |
AbmAbAbmEb |
AbmBbAbmF |
EbmCEbmG |
EbmDEbmA |
EbmEEbmB |
EbmF#EbmC# |
EbmAbEbmEb |
EbmBbEbmF |
BbmCBbmG |
BbmDBbmA |
BbmEBbmB |
BbmF#BbmC# |
BbmAbBbmEb |
BbmBbBbmF |
FmCFmG |
FmDFmA |
FmEFmB |
FmF#FmC# |
FmAbFmEb |
FmBbFmF |
CmCCmG |
CmDCmA |
CmECmB |
CmF#CmC# |
CmAbCmEb |
CmBbCmF |
GmCGmG |
GmDGmA |
GmEGmB |
GmF#GmC# |
GmAbGmEb |
GmBbGmF |
DmCDmG |
DmDDmA |
DmEDmB |
DmF#DmC# |
DmAbDmEb |
DmBbDmF |
Weave seventh chords, minor seventh, major seventh, diminished, and augmented chords into the circle of fifths.
C7 G7 D7 A7 E7 B7 F#7 C#7 Ab7 Eb7 Bb7 F7
Am7 Em7 Bm7 F#m7 C#m7 Abm7 Ebm7 Bbm7 Fm7 Cm7 Gm7 Dm7
CM7 GM7 DM7 AM7 EM7 BM7 F#M7 C#M7 AbM7 EbM7 BbM7 FM7
Co Go Do Ao Eo Bo F#o C#o Abo Ebo Bbo Fo
C+ G+ D+ A+ E+ B+ F#+ C#+ Ab+ Eb+ Bb+ F+
All of these patterns are in the Chord Weaving Table on the web site http://patternobsession.richardrepp.com
The following pattern is the circle of fifth, but with minor chords.
Am |
Em |
Bm |
F#m |
C#m |
Abm |
Ebm |
Bbm |
Fm |
Cm |
Gm |
Dm |
Substitute the minor circle of fifths for the circle in previos parts.
We have already weaved major and minor chords, so begin with weaving
A minor into the minor circle of fifths.
AmAm AmEm AmBm AmF#m AmC#m AmAbm AmEbm AmBbm AmFm AmCm AmGm AmDm
Then weave in chords sequentially as in step 1 follow the same procedures used in Step 1.
EmAm |
EmEm |
EmBm |
EmF#m |
EmC#m |
EmAbm |
EmEbm |
EmBbm |
EmFm |
EmCm |
EmGm |
EmDm |
BmAm |
BmEm |
BmBm |
BmF#m |
BmC#m |
BmAbm |
BmEbm |
BmBbm |
BmFm |
BmCm |
BmGm |
BmDm |
F#mAm |
F#mEm |
F#mBm |
F#mF#m |
F#mC#m |
F#mAbm |
F#mEbm |
F#mBbm |
F#mFm |
F#mCm |
F#mGm |
F#mDm |
C#mAm |
C#mEm |
C#mBm |
C#mF#m |
C#mC#m |
C#mAbm |
C#mEbm |
C#mBbm |
C#mFm |
C#mCm |
C#mGm |
C#mDm |
AbmAm |
AbmEm |
AbmBm |
AbmF#m |
AbmC#m |
AbmAbm |
AbmEbm |
AbmBbm |
AbmFm |
AbmCm |
AbmGm |
AbmDm |
EbmAm |
EbmEm |
EbmBm |
EbmF#m |
EbmC#m |
EbmAbm |
EbmEbm |
EbmBbm |
EbmFm |
EbmCm |
EbmGm |
EbmDm |
BbmAm |
BbmEm |
BbmBm |
BbmF#m |
BbmC#m |
BbmAbm |
BbmEbm |
BbmBbm |
BbmFm |
BbmCm |
BbmGm |
BbmDm |
FmAm |
FmEm |
FmBm |
FmF#m |
FmC#m |
FmAbm |
FmEbm |
FmBbm |
FmFm |
FmCm |
FmGm |
FmDm |
CmAm |
CmEm |
CmBm |
CmF#m |
CmC#m |
CmAbm |
CmEbm |
CmBbm |
CmFm |
CmCm |
CmGm |
CmDm |
GmAm |
GmEm |
GmBm |
GmF#m |
GmC#m |
GmAbm |
GmEbm |
GmBbm |
GmFm |
GmCm |
GmGm |
GmDm |
DmAm |
DmEm |
DmBm |
DmF#m |
DmC#m |
DmAbm |
DmEbm |
DmBbm |
DmFm |
DmCm |
DmGm |
DmDm |
Then weave in the seventh chords into the minor circle.
C7Am |
C7Em |
C7Bm |
C7F#m |
C7C#m |
C7Abm |
C7Ebm |
C7Bbm |
C7Fm |
C7Cm |
C7Gm |
C7Dm |
G7Am |
G7Em |
G7Bm |
G7F#m |
G7C#m |
G7Abm |
G7Ebm |
G7Bbm |
G7Fm |
G7Cm |
G7Gm |
G7Dm |
D7Am |
D7Em |
D7Bm |
D7F#m |
D7C#m |
D7Abm |
D7Ebm |
D7Bbm |
D7Fm |
D7Cm |
D7Gm |
D7Dm |
A7Am |
A7Em |
A7Bm |
A7F#m |
A7C#m |
A7Abm |
A7Ebm |
A7Bbm |
A7Fm |
A7Cm |
A7Gm |
A7Dm |
E7Am |
E7Em |
E7Bm |
E7F#m |
E7C#m |
E7Abm |
E7Ebm |
E7Bbm |
E7Fm |
E7Cm |
E7Gm |
E7Dm |
B7Am |
B7Em |
B7Bm |
B7F#m |
B7C#m |
B7Abm |
B7Ebm |
B7Bbm |
B7Fm |
B7Cm |
B7Gm |
B7Dm |
F#7Am |
F#7Em |
F#7Bm |
F#7F#m |
F#7C#m |
F#7Abm |
F#7Ebm |
F#7Bbm |
F#7Fm |
F#7Cm |
F#7Gm |
F#7Dm |
C#7Am |
C#7Em |
C#7Bm |
C#7F#m |
C#7C#m |
C#7Abm |
C#7Ebm |
C#7Bbm |
C#7Fm |
C#7Cm |
C#7Gm |
C#7Dm |
Ab7Am |
Ab7Em |
Ab7Bm |
Ab7F#m |
Ab7C#m |
Ab7Abm |
Ab7Ebm |
Ab7Bbm |
Ab7Fm |
Ab7Cm |
Ab7Gm |
Ab7Dm |
Eb7Am |
Eb7Em |
Eb7Bm |
Eb7F#m |
Eb7C#m |
Eb7Abm |
Eb7Ebm |
Eb7Bbm |
Eb7Fm |
Eb7Cm |
Eb7Gm |
Eb7Dm |
Bb7Am |
Bb7Em |
Bb7Bm |
Bb7F#m |
Bb7C#m |
Bb7Abm |
Bb7Ebm |
Bb7Bbm |
Bb7Fm |
Bb7Cm |
Bb7Gm |
Bb7Dm |
F7Am |
F7Em |
F7Bm |
F7F#m |
F7C#m |
F7Abm |
F7Ebm |
F7Bbm |
F7Fm |
F7Cm |
F7Gm |
F7Dm |
Now weave minor seventh, major seventh, diminished, and augmented chords as in Part 3.
Am7 Em7 Bm7 F#m7 C#m7 Abm7 Ebm7 Bbm7 Fm7 Cm7 Gm7 Dm7
CM7 GM7 DM7 AM7 EM7 BM7 F#M7 C#M7 AbM7 EbM7 BbM7 FM7
Co Go Do Ao Eo Bo F#o C#o Abo Ebo Bbo Fo
C+ G+ D+ A+ E+ B+ F#+ C#+ Ab+ Eb+ Bb+ F+
All of these patterns are in the Chord Weaving Table on the web site http://patternobsession.richardrepp.com
(Continued…)
Now use the remaining chords as circles of fifths.
Use circles of fifths based on Seventh, Minor seventh, Major seventh, Diminished and Augmented chords, with the other chords woven through.
C7 G7 D7 A7 E7 B7 F#7 C#7 Ab7 Eb7 Bb7 F7
Am7 Em7 Bm7 F#m7 C#m7 Abm7 Ebm7 Bbm7 Fm7 Cm7 Gm7 Dm7
CM7 GM7 DM7 AM7 EM7 BM7 F#M7 C#M7 AbM7 EbM7 BbM7 FM7
Co Go Do Ao Eo Bo F#o C#o Abo Ebo Bbo Fo
C+ G+ D+ A+ E+ B+ F#+ C#+ Ab+ Eb+ Bb+ F+
This section begins with seventh chords as the circle and seventh chords weaved in.
C7C7 |
C7G7 |
C7D7 |
C7A7 |
C7E7 |
C7B7 |
C7F#7 |
C7C#7 |
C7Ab7 |
C7Eb7 |
C7Bb7 |
C7F7 |
G7C7 |
G7G7 |
G7D7 |
G7A7 |
G7E7 |
G7B7 |
G7F#7 |
G7C#7 |
G7Ab7 |
G7Eb7 |
G7Bb7 |
G7F7 |
D7C7 |
D7G7 |
D7D7 |
D7A7 |
D7E7 |
D7B7 |
D7F#7 |
D7C#7 |
D7Ab7 |
D7Eb7 |
D7Bb7 |
D7F7 |
A7C7 |
A7G7 |
A7D7 |
A7A7 |
A7E7 |
A7B7 |
A7F#7 |
A7C#7 |
A7Ab7 |
A7Eb7 |
A7Bb7 |
A7F7 |
E7C7 |
E7G7 |
E7D7 |
E7A7 |
E7E7 |
E7B7 |
E7F#7 |
E7C#7 |
E7Ab7 |
E7Eb7 |
E7Bb7 |
E7F7 |
B7C7 |
B7G7 |
B7D7 |
B7A7 |
B7E7 |
B7B7 |
B7F#7 |
B7C#7 |
B7Ab7 |
B7Eb7 |
B7Bb7 |
B7F7 |
F#7C7 |
F#7G7 |
F#7D7 |
F#7A7 |
F#7E7 |
F#7B7 |
F#7F#7 |
F#7C#7 |
F#7Ab7 |
F#7Eb7 |
F#7Bb7 |
F#7F7 |
C#7C7 |
C#7G7 |
C#7D7 |
C#7A7 |
C#7E7 |
C#7B7 |
C#7F#7 |
C#7C#7 |
C#7Ab7 |
C#7Eb7 |
C#7Bb7 |
C#7F7 |
Ab7C7 |
Ab7G7 |
Ab7D7 |
Ab7A7 |
Ab7E7 |
Ab7B7 |
Ab7F#7 |
Ab7C#7 |
Ab7Ab7 |
Ab7Eb7 |
Ab7Bb7 |
Ab7F7 |
Eb7C7 |
Eb7G7 |
Eb7D7 |
Eb7A7 |
Eb7E7 |
Eb7B7 |
Eb7F#7 |
Eb7C#7 |
Eb7Ab7 |
Eb7Eb7 |
Eb7Bb7 |
Eb7F7 |
Bb7C7 |
Bb7G7 |
Bb7D7 |
Bb7A7 |
Bb7E7 |
Bb7B7 |
Bb7F#7 |
Bb7C#7 |
Bb7Ab7 |
Bb7Eb7 |
Bb7Bb7 |
Bb7F7 |
F7C7 |
F7G7 |
F7D7 |
F7A7 |
F7E7 |
F7B7 |
F7F#7 |
F7C#7 |
F7Ab7 |
F7Eb7 |
F7Bb7 |
F7F7 |
Then weave in minor seventh, major seventh, diminished and augmented chords.
Circle |
Seventh |
Seventh |
Seventh |
Seventh |
Seventh |
Weaved |
Seventh |
Minor seventh |
Major Seventh |
Diminished |
Augmented |
Work through the remaining chords as base for circles of fifths and weaves. Each group has one fewer weaving.
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Circle |
Minor seventh |
Minor seventh |
Minor seventh |
Minor seventh |
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Weaved |
Minor seventh |
Major Seventh |
Diminished |
Augmented |
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Circle |
Major Seventh |
Major Seventh |
Major Seventh |
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Weaved |
Major Seventh |
Diminished |
Augmented |
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Circle |
Diminished |
Diminished |
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Weaved |
Diminished |
Augmented |
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Circle |
Augmented |
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Weaved |
Augmented |
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All of these patterns are in the Chord Weaving Table on the web site http://patternobsession.richardrepp.com
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